Supergirl Just Finished Its Best Season Yet

Supergirl isn’t a show I’ve written about much in the past, other than to give the odd shout out to a character or storyline I’m enjoying. That doesn’t mean I don’t love it; most seasons it’s my favorite Arrow-verse show (though Legends of Tomorrow sometimes gives it a run for its money), and at least three of its characters (Kara, Lena, and Alex) fall in my current top 10. It’s more that because I pretty much always enjoy the show, I rarely have anything interesting to say about it. But that was before this season, their strongest yet by a mile. Here’s why it was so good:

  1. They let Kara embrace her duality. This has happened before in small doses—it’s basically the premise of the show after all—but we’ve never seen it quite to the extent we did this season. Back in episode 2, Kara was trapped in a situation where she had to save Lena without letting her know that she was saving her. It was hilarious (Kara knocking down goons with a pretend sneeze) and sweet (Lena doing everything in her power to protect Kara) and the first hint of how much the show would embrace those separate sides of Kara and the power that both of them have. In the finale, this came full circle in a lovely way: after spending all season switching between fighting crime as Supergirl and disinformation as Kara, she defeated Lex with her words as much as her fists. And speaking of…
  2. They cast Jon Cryer. The writers made a whole bunch of smart Lex-related choices, but a lot of them hinged on Cryer’s performance. What was remarkable about Lex, definitively the season’s big bad (sorry, Ben Lockwood), was just how little he was actually in it. He came in with a huge episode that sold how dangerous he was to the point that his presence loomed large even in episodes he wasn’t in. That’s thanks to an unsettling, incredibly specific take on a character that’s been played a thousand times before. It’s also worth noting that I had a similar reaction to Cryer’s casting as I did to Tyler Hoechlin’s: that he was such a good choice that I worried his character might overshadow Lena’s. Like with Superman, though, my concerns were unfounded. Lex remained a player in Lena’s story, exactly as he should have been.
  3. They pulled Lena into the action. Much as I love Lena (and trust me, I do), during her first couple of seasons I sometimes felt like her character was a bit unnecessary to the plot, though her friendship with Kara was obviously an important aspect of the show. Even though she would sometimes interact with other characters, she also spent a lot of time holed up in her office with Kara, or being rescued by Supergirl. This season, though, her deeply personal connection to the villain really brought her into the fold. It made the show more cohesive as a result but more importantly made Lena a much more active participant. She teamed up with Alex and Kara, got herself out of sticky situations sans Supergirl (that gun grab in the finale!), and obvious spoiler alert, but killed(?) her own brother to save the world.
  4. They introduced new characters that popped. I was a little worried when both Mon-El and especially Winn departed in last season’s finale, but man did they take advantage of those empty slots. Nia was instantly endearing and fit in so well that it will be weird to watch earlier seasons without her. And that’s without even mentioning that she came out as transgender in only her second episode, in a choice that was monumental yet never played for drama. Brainy, while not a new character this season is still relatively new, and Winn’s absence, as well as his budding humanity, really allowed him to shine this season. He built a sweet relationship with Nia and provided one of the season’s most heartbreaking moments when Lockwood’s men rebooted him. Kelly also managed to make an impression despite showing up in a busy part of the season and played an important role in Alex’s adoption ordeal, a painful standout of the year.
  5. They created real stakes. Superhero shows have such flashy powers and fancy gadgets that it often seems like anything can be prevented or undone. They also rely heavily on the status quo, so even when things change, viewers know that they won’t change that much. Not this year. They used Supergirl taking place on a different earth more than they ever have before, letting the tension with Lockwood and the Children of Liberty build to dangerous heights. The anti-alien sentiment also wasn’t too far off from what we’re experiencing in the real world, and the stakes felt that much higher because of it. In one of the most surprising and devastating moments of the season, Alex had her memory wiped to protect Supergirl’s identity, and for a substantial period no less, proving there was a real threat that Kara could be exposed, while also significantly changing the dynamic between the two sisters. And, after teasing all season that Lena could finally discover Kara’s secret, they delivered in the most brutal way possible, dismantling the show’s central friendship in the process.
  6. They took risks. This goes along with the above, because offering real stakes and threatening the status quo are always risks, but they went beyond that this season. They made bold, surprising storytelling choices, like James getting shot and then getting powers, or Eve betraying Lena. They weren’t afraid to go dark, particularly with backstories, like the reveal that James’ childhood bullies caused him to miss his father’s funeral or that Lena’s biological mother drowned right in front of her. The episodes were also much less paint by the numbers than they have been in the past; Kara embracing her duality let them do full episodes with just Kara or just Supergirl, and they became much less beholden to CatCo and the DEO as central locations. It was also more action-packed, with no filler episodes (especially in the latter half of the season) and more serialized storytelling than they’ve ever done before.

Despite all the things that worked, it wasn’t a perfect season. The second half was much stronger than the first, with the introduction of Lex giving the show a focus the first half was missing. Lena and James still don’t quite work as a couple, or honestly, even seem to like or respect each other all that much, and it’s not a coincidence that the season gained traction after their breakup. Kelly and Alex were great together—and I’m excited to see their relationship continue to blossom—but sometimes felt like they were on a different show entirely. And J’onn, while still a wonderful character and important mentor/father figure to Kara and Alex, certainly contributed to the aimlessness of the first half of the season with his quest for peace.

But none of those things take away from the fact that this was a nervy season of TV, especially so late in the show’s run. It was surprising, consistently entertaining, and often excellent. When you take as many chances as they did this year, some things will inevitably fail or not work quite as perfectly as hoped. But I’d so much rather a show do what Supergirl did this season than play it safe.

What did you think of Supergirl season 4? Have any hopes for next season? Hit the comments and let me know!

What I’m Watching This Fall

It’s that time again! Gone are the days of beaches and flip-flops, here come the sweaters, pumpkin spice, and most importantly, fall TV. As is my tradition here at Just A Girl, here are some quick thoughts on the shows I’m watching this season. As a caveat, I’m only kind of excited about two new shows premiering in the fall, and a decent chunk of my returning favorites (Brooklyn Nine-NineJane the Virgin, etc.) aren’t back ’til January. At any rate, here’s what I’m watching this fall:

Arrow (Mondays at 8 on the CW)

I wasn’t wild about last season—especially the New Team Arrow feud and Black Siren—but I’m cautiously optimistic about season seven. It sounds like Oliver’s time in prison is actually going to last a while, and I always appreciate when shows offer real consequences. Plus, much as I love Olicity, I’m excited to see Felicity make it on her own.

Legends of Tomorrow (Mondays at 9 on the CW)

LOT is one of my simpler TV joys. It’s so weird and fun (Beebo, anyone?), and I’m happy about having Constantine and especially Ava as series regulars. I’m not sure how I feel about Maisie Richardson-Sellers playing a new character—I really love Amaya—but it was also clear from the get-go that she couldn’t hang around forever.

The Gifted (Tuesdays at 8 on Fox)

I said it a bunch of times last season, and I’ll say it again: this show could use some levity. That being said, one perk of posting this a bit late is that I’ve already seen the premiere, which actually did have some genuinely lighter moments, especially between Thunderbird and Blink. I liked the first season, but this feels like a show that could really hit its stride in season two.

The Flash (Tuesdays at 8 on the CW)

Last season was my favorite one since their first, and I hope the streak continues this year. I love Iris as team leader (one of the smartest creative decisions of the series, similar to when Legends made Sara captain), and it sounds like we’ll see her writing more this season as well. That, coupled with the promise of a meaty storyline for Caitlin/Killer Frost, gives me high hopes for season five.

This Is Us (Tuesdays at 9 on NBC)

I love this show even when it’s frustrating me with untapped potential or too much focus on decades-old mysteries. The characters are great, I don’t need the guessing games! Beth and Randall, plus great work by Mandy Moore and Milo Ventimiglia, are more than enough to keep me watching.

FBI (Tuesdays at 9 on CBS)

I am very hesitant to give CBS new eyeballs at this juncture, but I loved Rookie Blue and can’t quite resist having Missy Peregrym back on my screen. I’ve also been hurting for a good crime procedural since Bones and Castle went off the air. I trust Dick Wolf more than the usual suspects from NCIS/CSI/etc.

Survivor (Wednesdays at 8 on CBS)

I’ve watched every single season of this, and I’m still wildly impressed by what solid, entertaining television it is. However, things that have become more noticeable to me in the last few years—Jeff Probst’s casual misogyny in the reunion shows, giving all women with children the “mom edit”—make a lot more sense now than they did a few months ago.

Modern Family (Wednesdays at 9 on ABC)

In my book, the emergence of truly great, inventive comedies like Brooklyn Nine-Nine and The Good Place has done this show no favors. That being said, I still genuinely like the characters, and damn it, those sweet episode enders get me every time.

Grey’s Anatomy (Thursdays at 8 on ABC)

It’s hilarious to me that I binged this after season five thinking I was joining late in the game. This year, I’m looking forward to Mer getting back on board the romance train; I’ve loved her focus on career, kids, and friends since McDreamy’s demise, but girl also deserves to have some fun. Last season was one of my favorites in recent memory (thanks, Krista Vernoff!), and I hope season 15 maintains the same fun spirit.

The Good Place (Thursdays at 8:30 on NBC)

Man, I just keep waiting for this show to make a misstep, and it certainly hasn’t happened yet. I love, love, love how much it manages to surprise me, I adore this cast of characters, and I can’t wait to see what Mike Schur and Co. have in store for us in season three.

Legacies (Thursdays at 9 on the CW)

A long-time TVD and Originals fan, I feel like I should be more excited about Legacies. The promos haven’t really piqued my interest, but Alaric was one of my favorite characters on The Vampire Diaries, and I like Hope a fair amount. I’ll definitely check out the pilot, but I don’t know if those two alone will be enough to keep me watching.

Speechless (Fridays at 8:30 on ABC)

The DiMeos are hands down my favorite TV family, and last season’s finale was so warm and wonderful. This show is important to have, but it’s also just a genuinely great, goofy comedy that doesn’t take itself too seriously. Plus, Maya and Jimmy have one of my favorite—and healthiest!—marriages on TV.

Crazy Ex-Girlfriend (Fridays at 9 on the CW)

I’m so bummed that this is CEG‘s final season, but I’m curious to see how Rebecca’s journey ends, and I’m so relieved that the CW let the writers complete their four season plan. This may be the most confident I’ve ever been that I’ll be satisfied with a show’s ending, just because I trust Rachel Bloom and Aline Brosh McKenna so much.

Saturday Night Live (Saturdays at 11:30 on NBC)

I’ve been watching this pretty regularly in the last few seasons, though Weekend Update continues to test my patience. As a happy counterpoint, I’m thrilled by how many hilarious women—with totally different comedic stylings!— are in the cast right now, especially national treasure Kate McKinnon.

Supergirl (Sundays at 8 on the CW)

This is probably my favorite of the DC shows, mostly because there are so many characters I love (Lena and Alex especially). Even when certain plot points frustrate me, I like the show enough that it doesn’t usually affect my enjoyment of it. I’m hoping to see more of Lena and James integrated into the DEO because that was one of my favorite aspects of last season.

Madam Secretary (Sundays at 10 on CBS)

It turns out Sundays may be my favorite TV night this season? M Sec reminds me a lot of how I felt about Castle in its heyday: a romantic, exceedingly pleasant show featuring a badass lady boss, her awesome wardrobe, and a dude who respects and admires the hell out of her. Plus, in this current political climate, seeing a functioning government is a balm to the soul.

Your turn! What are you watching this fall? Hit the comments, and let me know!