2019 Pilot Reviews

I checked out four new network shows this year: Stumptown, Batwoman, The Unicorn, and Perfect Harmony. You can find my list of everything else I’m watching over here. I’m writing this later than usual because of Batwoman‘s premiere date, so I’ll actually be reviewing the first two episodes of the other three shows. Since this was really my second introduction to Kate Kane and Gotham City (both appeared in last year’s Arrowverse crossover), I have a pretty good idea of what that show looks like going forward. To kick things off:

Stumptown

I wasn’t sure what to expect with Stumptown but ended up being pleasantly surprised by how much I liked the first 2 episodes. Quippy main character with a tragic backstory and not-so-secret heart of gold is a tried-and-true format, especially on network TV. However, that doesn’t mean it can’t be done well, and Cobie Smulders proved she’s up to the task. It doesn’t hurt that Dex isn’t dissimilar from HIMYM‘s Robin or Marvel’s Maria Hill, the two characters Smulders is probably best known for.

Charming as I find Jake Johnson, after the first episode I wasn’t sure how his Grey, a bartender and Dex’s best friend, fit in with the rest of the show. The pilot did a nice job of showing his importance in Dex’s life—mentioning her PTSD and trying to reign in her more dangerous impulses—but I assumed they’d have to work hard in the future to justify his presence.

Luckily, the 2nd episode proved me wrong. It turns out Grey has his own demons that fit in very well with Dex’s line of work. Episode 2 answered another question I had in the pilot which was if Grey and Dex had a romantic history. They do, though Smulders has good chemistry with both Johnson and Michael Ealy’s Miles. After the first episode, I thought Miles would be the main love interest, but now my money’s on Grey, especially because there are unresolved feelings on his part. That’s not to say Dex has to couple up with Grey or Miles, only that her conversation about love with her client in episode 2 suggested the show moving in that direction at some point.

The stuck tape in Dex’s cassette player was a fun bit that worked very well in the pilot especially, and the music choices in general give the show a unique, retro vibe. The fight sequences in both episodes were gritty enough to be realistic but also not out of place on Disney’s ABC. I also really appreciate that Dex doesn’t use a gun; give me hand-to-hand combat any day. Overall, Stumptown feels like the kind of show that could fill that slightly lighter Castle vibe ABC’s been looking for, even if Castle himself still works for the network.

Batwoman

I think this was a solid Arrowverse debut that hit all the beats it needed to with a couple of neat twists. Out of all the Arrowverse shows, its sepia-toned look and like Stumptown, focus on hand-to-hand combat remind me the most of Arrow. With that series ending this season and the Canaries spinoff not a guarantee, I’m glad Batwoman will be there to fill that void.

This pilot handled its characters well, with each one getting some time to shine. Character balance is something a lot of first episodes struggle with, but I already have a good sense of each character. Not to belabor the Arrow comparison, but I think Kate’s stepsister, Mary, and Luke from Wayne Tower will provide that Felicity/Curtis comic relief that’s needed in an otherwise dark show like this.

Another strength of this pilot was how well it used flashbacks: just often enough to help us understand Kate without bogging down the hour. The two big reveals were also done pretty well. I assumed Kate’s ex, Sophie, would be dating someone but didn’t think she would be married. This adds a devastating layer to Kate and Sophie’s already tough relationship. And, knowing nothing about the comics, I never guessed that Alice was actually Kate’s sister, Beth. It’s a cool choice to make the season 1 villain so personal.

It’s also worth noting that Ruby Rose was perfectly cast here. Despite the general Arrow vibe, I get the sense that she’ll make Kate a bit more fun than Oliver’s ever been. She was believable in the action sequences but also gave Kate a lighter, sort of smirky vibe in some scenes. I went into Batwoman planning on watching at least until this season’s Crisis on Infinite Earths crossover. but I’m genuinely excited to tune in next week.

The Unicorn

The premise of The Unicorn is a bit limited, but 2 episodes in, it seems like the great cast and solid writing could eventually push it to be something more (not unlike Cougar Town, a favorite of mine with a similar setup). I didn’t laugh a ton in the first 2 episodes but still enjoyed the banter between the characters. The best shows make you feel like you’re dropping in on people who have existed and been friends for many years before, and this show did that well.

Of the four friends, Delia and Forest stood out to me the most, probably just because I’m familiar with Michaela Watkins and Rob Corddry. I was also charmed by the scene in episode 2 where they contemplate a quickie before work but decide putting it in their shared calendar is basically the same thing. But Ben (Omar Benson Miller) and Michelle (Maya Lynne Robinson) are great too, and their relationship with their kids is already fun and believable.

However, the moment that stuck with me from the first 2 episodes was when Wade’s oldest daughter, Grace, got busted for sneaking out to take photos by a pretty wall for Instagram. Initially, I sort of braced myself for yet another TV/movie scene that belittled teenage girls and their interests. Instead, I was treated to a neat little pivot, where Wade asked, “So, you’re doing this to be popular?” and Grace responded, “No, I’m doing it to be normal.”

It had nothing to do with Wade’s dating life but showed The Unicorn‘s potential for other interesting moments. It validated a young woman’s feelings, spoke intelligently about the expectation the social internet places on people, and was also just genuinely sweet (the scene ended with Wade and Grace taking pictures of each other in front of the wall). It’s the kind of scene that made me excited for what’s to come and also my way of saying don’t count this one out, even if you’re not that into the premise.

Perfect Harmony

I thought the pilot of this was charming but didn’t know what the show looked like going forward. One concern I had—and still sort of have—is that it would be forced into the Glee mode of spending a season prepping for a competition they would inevitably lose for some manufactured reason to justify the show’s continued existence.

Episode 2 did a good job of showing what a usual episode will look like but still relied on a big event important to the choir. I don’t really know how they overcome that reliance; in a small town, there can’t be an event or competition every week. I almost wish Perfect Harmony was about a regular church choir rather than a competitive one. As the member of a standard church choir, I can tell you there’s plenty of comedy there. Removing the competitive element makes for lower stakes but also feels more sustainable and very on-brand for NBC. Their Superstore, for instance, has very low stakes but strong and specific characters that make up the difference.

However, I get why they went the direction they did. If the choir’s not competitive, then they end up singing church songs every week, at which point they might as well remove the musical component all together. Despite any concerns I have about the show’s longevity, though, the characters grew on me through the first 2 episodes, and Conley Fork has a small town charm that could easily turn it into a Stars Hollow or Pawnee.

Overall, a pretty strong crop of new network shows this year. I look forward to checking out others that people recommend as the season goes on!

What I’m Watching This Fall

Man, I don’t know what it is about things lately, but Fall TV really snuck up on me again this year. At any rate, I hope you all had a lovely summer and are ready to dive back in to things! Here’s what I’m watching this fall:

RETURNING SHOWS

Supergirl (Sundays at 9 on the CW)

Supergirl had what I think was its strongest season last year. So many things worked about it, and I’m worried this season will be a letdown by comparison. However, I’m excited/nervous for the fallout of Lena discovering Kara’s secret, and it’ll be fun to see Alex and Kelly pursue a relationship.

Madam Secretary (Sundays at 10 on CBS)

This is the rare show where I’m happy it’s the final season AND that they’re only doing 10 episodes. It’s interesting that they pivoted from an election storyline to one where (*spoiler alert if you haven’t seen the promo*) Elizabeth is already president. I’m surprised by how many cast members won’t be returning as series regulars, but realistically very few of her staff would have made the jump to the White House, so it makes sense.

Last Week Tonight with John Oliver (Sundays at 11 on HBO)

This isn’t really returning, as it was on a decent chunk of the summer, but John Oliver continues to keep me sane and informed, and I continue to appreciate it.

The Flash (Tuesdays at 8 on the CW)

Like Supergirl, I enjoyed the last season of this show but am looking forward to the coming one. I have a feeling that The Flash and Arrow will be the two most affected by the crossover, and I’m curious to see how that plays out. I will miss Nora, though.

Arrow (Tuesdays at 9 on the CW)

It definitely sounds like this year will be more of a season-long farewell, which I’m happy about. If any show deserves a proper sendoff, it’s this one. Again, 10 episodes feels like the right number, and I’m glad my previous concern that the crossover would also serve as Arrow‘s series finale didn’t amount to anything.

This Is Us (Tuesdays at 9 on NBC)

TIU can be a little frustrating but also one of the most affecting things on TV in the right week. I feel like they’re really selling this season’s premiere as a departure for the show, which I’m intrigued by. I’m also looking forward to having Jennifer Morrison back on my TV.

Survivor (Wednesdays at 8 on CBS)

I think the Boston Rob/Sandra twist is hokey and dumb, but there have been plenty of great seasons of Survivor with bad premises, so I won’t count it out yet. Honestly, I’m more excited about the whispers of an upcoming “all-winners” season than I am about this one.

Modern Family (Wednesdays at 9 on ABC)

10 seasons in, by now this is far from my favorite comedy. However, I’m confident they’ll stick the landing in their final season and probably make me cry along the way. I got in on MF early (after season 1), so it’s bittersweet to say goodbye to something I’ve been watching every week for almost a decade, regardless of what my feelings are toward it now.

Full Frontal with Samantha Bee (Wednesdays at 10 on TBS)

This is the same deal as with John Oliver: I watched it throughout the summer and will keep doing so. Sam Bee’s been particularly sharp on female candidates and their media coverage this year, something I’m confident will continue this fall.

Grey’s Anatomy (Thursdays at 8 on ABC)

I’m leery of the weird “weekly crossover with Station 19” thing that’s been teased and walked back and then sort of teased again throughout the summer, but it would take a heck of a lot to make me quit Grey’s at this point. Like with Modern Family, I’m nearly a decade in.

Superstore (Thursdays at 8 on NBC)

I won’t actually be watching Superstore when it premieres, as I’m currently binging season 2. However, I’m already enjoying it enough to make catching up a priority, even when regular TV comes back.

The Good Place (Thursdays at 9 on NBC)

Unlike with Arrow and Madam Secretary, I’m bummed this is The Good Place‘s final season, but I respect it from a storytelling perspective. I can’t wait to see what Mike Schur and Co. have cooked up for us, and this is another “comedy” season that will definitely make me cry.

Legacies (Thursdays at 9 on the CW)

Legacies is pretty low on my list of show priorities, but I thought the first season was pleasantly surprising in spots. This cast has grown on me a lot since the pilot, too. At this point, I’d be a bit lost without a Julie Plec show in my life.

Saturday Night Live (Saturdays at 11:30 on NBC)

SNL didn’t start their season off on a good note, but I’m glad they rectified their mistake, even if it took longer than it should have. I’m excited about the other new cast members, and Phoebe Waller-Bridge + Taylor Swift is a hell of a combo for the second episode (I owe a decent chunk of my summer to Fleabag and Lover).

NEW SHOWS (NETWORK)

Batwoman (Sundays at 8 on the CW)

I’ll be very surprised if I don’t end up loving this one. I thought Ruby Rose was great in her few scenes during Elseworlds, and it’s awesome that she’ll be the first lesbian title superhero. Also, come next season (provided everything gets renewed), Grant Gustin will be only straight white guy leading a DC show on the CW, which is pretty cool.

Stumptown (Wednesdays at 10 on ABC)

I’ll admit that I’m still a little bitter at Stumptown for taking Whiskey Cavalier‘s spot, but I love Cobie Smulders (Robin was my favorite on How I Met Your Mother), and Jake Johnson was great on New Girl, too.

Perfect Harmony (Thursdays at 8:30 on NBC)

I’m less certain about Perfect Harmony; it may be one where I wait a couple of weeks to see what viewer/critical reception is like. It’s a cute premise, and I like Bradley Whitford and Anna Camp a lot, but I could also see it sitting in my virtual “to watch” pile for a while.

The Unicorn (Thursday at 8:30 on CBS)

I have similar feelings about this one, though I don’t think the premise is quite as novel as Perfect Harmony‘s is. The promos have made it look very “generic CBS comedy,” but several of the folks at TVLine said it was worth checking out, and they almost never lead me astray.

NEW SHOWS (STREAMING)

The Politician (Friday, September 27 on Netflix)

I probably won’t stress about checking out any streaming shows the first weekend they premiere, but The Politician is one I plan on getting around to at some point this fall. The trailer was pretty effective, juicy and fun, and I sound like a broken record, but another great cast.

Looking for Alaska (Friday, October 18 on Hulu)

I’m a longtime John Green fan, but LFA isn’t my favorite of his books. That being said, I know getting this one to the screen was a frustrating and lengthy process for him, so I’m happy about it for that reason. I’m also excited about it being the first TV adaptation of one of his books. Of all of them, LFA is probably the one best suited to TV over film.

Modern Love (Friday, October 18 on Prime Video)

Like with The Politician, this cast is borderline ridiculous (Anne Hathaway! Tina Fey!) and has the potential to be really great, I think. I only occasionally read “Modern Love” but am kind of surprised that it hasn’t been adapted before.

Your turn! What shows are you watching this fall and which ones are you particularly excited about? Hit the comments and let me know!